Author Confessions: Stumbling Blocks in Fiction, Part II
In my last post I wrote about the generic issue of stumbling blocks in fiction, but there are more that are specific to the Christian genre. For some, writing with these restrictions can be challenging, but for a devoted follower of Christ they should be easier to avoid.
Denomination bias
This one could be the most challenging for some. We all love our individual “tribes” of denominations and some believe they are superior to others. Of course, there are some that border on cultish. There is a branch of Amish fiction which deals more with the culture of the Amish than the religion itself although the strict rules often come into play and those are religious. With Amish fiction, it would be hard to not mention that they were Amish as no other people group operates quite the way they do. I’ve refused to write Amish fiction even though when I had an agent, she urged me to because they sell well. I told her I thought they bordered on cultish and I didn’t want to glorify that kind of religious belief system. Maybe someday I will write one about how abusive they are to dogs they are breeding since I have two Amish puppy mill rescues.
Demoninations can be specific about some things. There’s a meme that goes around about other things but could apply to church denominations: Tell me your denomination without telling me your denomination. We need to focus more on Jesus than a specific church denomination. This way we don’t alienate readers.
I will confess, I broke this rule in my book Fragile Blessings because as a historical novella, there were times when denominations had conflict and that was highlighted, but neither denomination was condemned or elevated.
Gratitous Sin
Sin is going to infiltrate our stories because we can’t escape sin and it’s impact on our lives in this world. Sin brings about conflict and navigating that conflict makes a story insteresting. Having said that an author needs to avoid elevating any kind of behavior that might be construed as more destructive. For instance, in my Regency romancees, I have a disclaimer about drinking. It was a cultural thing for that time period and culture, and when someone became intoxicated it had disasterous results. I never would want any thing I write to be taken as permission, for someone who struggles with alcohol, for instance, to take that as permission to give in to that addiction. As my husband says, “No one starts out having a drink of alcohol intending on becoming an alcoholic.” Do I believe drinking is a sin? No. However, because some do struggle with it I will never put that as a common practice in my books.
When it comes to sex, that also is not a sin within marriage. I don’t want to deny the desire and physical attraction characters may have for each other but it will only ever be between a man and woman and consumation will not happen until after marriage. I do not want anyone to read my books and find them tittiltating. I used to do some proofreading for another publishing house I was originally contracted with, and one story had just one line in it that I thought went too far with its suggestiveness. I did tell the publisher but I have no awareness of whether that was deleted or changed in the story as it was about to go to print. I hope it was. When my children were younger, I wanted my books to be safe for even my children to read. A former pastor used to read my books as well and enjoyed them. I will stand before God someday for what I write.
Normalizing destructive behaviors
I’ve already mentioned alcohol but the same would be true with murder, cheating, lying, abuse. Anything that can be destructive to another person whould never be promoted in a clean or Christian novel as acceptable. Those behaviors might be part of a story, but not promoted as good. Pesto and Potholes starts out with domestic abuse. In Salsa and Speed Bumps my character deals with the aftermath of a date rape and the consequences of Christians making wrong assumptions about her condition to disasterous effect. Truffles and Traffic deals with the aftermath of a divorce. In all those stories there is redemption as the people lean on God to get them through the pain and trauma they experienced. I could cite many other stories as well. A Christian author never wants to promote sinful behavior as acceptable or permissable for the believer in Jesus.
Foul language
This can be difficult. Funny thing is, as much as people love to swear or tell dirty jokes, it’s amazing how they can change their behavior when they need to. When I worked in the field of mental health, my clients, without me asking, refused to sear or use other foul language in front of me. They understood by my actions that I was a Christian. In fiction, we have unredeemed people who are doing bad things, and while using foul langage is the norm for some authors, the Christian author has to be more creative in the use of their words and descriptions to give a foul character realism. We might even say someone “cursed under their breath,” not promoting that but also not using any words they might use.
An author must be careful of the words even our characters use, even if in real like someone might be swearing, we can’t put that on the page.
Twisted Theology or Unique Theological DifferencesÂ
There are so many theological differences that could be at issue. I had an author whose main character was a female pastor. I’m not going to debate whether women can be pastors or not, that’s not the point. It is, however, a bone of contention for many believers. I told her I could not publish her book. We spoke with an agent who was sitting nearby. He said that it would limit the reach of the book and certain bookstores would refuse to carry a book with that as a main component. For those with more controversial issues that they want central to a plot line in a story, that doesn’t mean they can never publish their story, self-publishing is more popular than ever. Authors just need to be aware that some publishing houses won’t accept that.
I’ve had to help authors make minor corrections to descriptions describing the crux of the gospel in their stories. If the gospel is being presented in some way it needs to be clear and avoid any add-ons or misunderstandings. We never want a book to be preachy, but if a character comes to Christ we need to handle that with excellence even as we are creative in our story telling.
Life is complicated but stumbling blocks in fiction are not only for purposes of publication. Stumbling blocks in fiction can upset a Christian reader and cause them to stop reading or write a negative review. Stumbling blocks in fiction could also tempt someone to sin, or keep them from taking the next step of faith. None of these things are good, so a wise author will be careful to avoid them. Can you think of any other stumbling blocks you might have come across in Christian fiction?