Author Confessions: Stumbling Blocks in Fiction Part 1

After writing last weeks post which you can find here, I started thinking of stumbling blocks in fiction. I’m going to focus mostly on Christian fiction as there are differences between that and the secular marketplace.

I used to be a reader that if I read the back page and liked the concept and checked out the book–I would read it to the end. It wasn’t too many years into adulthood that I decided it wasn’t worth my time if I wasn’t enjoying the story. Readers now are being more particular.

Here are some examples of stumbling blocks that authors sometimes overlook but will possibly cause a less interested reader to move past and finish a book. These are also things that as an editor might cause me to reject submisson.

Slow start

Sometimes an author can get caught up in writing very descriptive scenes with eloquent words that really say nothing but they sound nice. And this can go on for more than a paragraph where as a reader, I’m left wondering, “What is this story about? Who is it about? When does this take place?” Now having said that, in older literature this was the norm. Creative writing and beautifully crafted scenese before you ever truly understand what is going on in the story. That doesn’t work as well now.

Annoying characters

Characters should be likable. Thus says the author who has enjoyed quirky and sometimes annoying characters as Sherlock, Doc Martin, and House. Characters should have some relatable qualities that make them likable, or at least tolerable. Quirky isn’t necessarily annoying but that depends upon the person. A character might have some personalilty defect but if the reader doesn’t sense that they might change as the story progresses, they are not likely to stick with the story.

Too many people or complicated names

I’ve read science fiction and that genre is spectacular for the made up and sometimes difficult to pronounce names. I had a character in Truffles and Traffic initially called Benedict and one of the editors told me that was too harsh sounding so I changed it to Benjamin, which wasn’t a painful decision as it’s one of my favorite names, and that was before I met my husband. When I wrote the book Pesto and Potholes, Antonio has a large family and I actually had a genogram of all the relations in the order in which they were related to help me keep the story straight. Thankfully, only a few made significant enough appearances that it was easier for the reader to not worry about how all the rest were connected. I wanted the family tree in the book but was told I  couldn’t do that. :-(.  Stumbling over names or having names too similar even, can make it hard for the reader to navigate the story, and anything that pulls the reader out of the story, even to look back to see who is connected to who, is frowned upon.

The story doesn’t move along

Stories that drag from the start or start out gang-busters and then fizzle will challenge the most ardent reader. I find this even when we are watching movies or television series that if they start out slow and the pace plods along, my husband will tell me to find something else. Maybe it gets better by episode three but they lost us in the first fifteen minutes. The same is true for a piece of fiction. The first sentence, paragraph, five pages, might determine whether a reader keeps going. As an editor, I’m often generus enough to read through chapter 3. When editing a book its possible that the real story starts there and I’ll need to tell the author to revise and delete the first two chapters. When I started out writing, I had to do this myself when I realized my error and a kind mentor pointed it out to me. Nothing wasted, but it would have been if it had gone to print that way.

I also read story submissions to the end. I don’t rely on the author’s synopsis. I’ve had books cross my laptop that started out strong but fell apart quickly. Huge disappointment but I’m glad I didn’t offer a contract to them. It would have meant a lot more work for me and the author because the book wasn’t ready.

Time and place are ambiguous

Who, what, where, when, and why, are not only key words for a journalist, but for an author as well. If I can’t tell if the book is historical, sci-fi, fantasy, or contemporary, right away, it is a red-flag and annoys me to no end. Where is it taking place? Is it in America, Africa, Germany, Cuba, Mars, a space-station? Is it during the civil war, WWII, the 80’s, or 2278? If the author can’t tell me that in plain words or by their description, I get incredibly frustrated.  Thankfully, that’s only crossed my desk a handful of times and they were a quick rejection but I did give them my complaint so they could do better. It’s not something I’m required to do but when it’s stuff like that and I’m irritated enough, I will, and hopefully save some other poor reader that frustration.

Main character does foolish things

Now we all do foolish things at times. Maybe I should say stupid things? These have to be pretty big or perhaps dangerous and perhaps even triggering. Not every story is for every reader but no reader wants to spend the six or more hours reading a book, yelling at the character “No!” time and time again. It gets exhausting.

Lack of change or growth in the main character

Characters should change through the story, whether it’s an emotional growth, relationship choices, spiritual, or simply gaining in wisdom that provides a benefit for themselves and others. If the character ends the story in the same state he or she started out, it will leave a bad taste in the mind of the reader.

I realize I’ve talked about some of these things over the years and this is a different, if not negative, approach to the stumbling blocks in fiction. It’s not a conclusive list by any means. But even as a reader I bet you’ll be more aware when you pick up the next book and either you’ll be cheering for the author because they got it right and you’ll enjoy the story, or you’ll find yourself as frustrated as I do when these things happen.

Reminder, I’m not perfect and I’ve made these mistakes in the past. And I might make them in the future. I hope I’ve grown enough as an author that these stumbling blocks in fiction don’t show up in my stories, and if you find them there (because this can be subjective) then I humbly apologize.