Tag Archive | characters

Author Confessions: Getting To Know You

Apr6
Reading Time: 4 minutes

Author Confessions: Getting To Know You

When we meet people, there is often a process of “getting to know you,” that takes place. For most of us we don’t blurt out our entire life’s history at a first meeting. We share information, bit by bit, as we deem someone is safe to share with. The superficial before the deeper, more intimate secrets, we might carry. That’s true in fiction as well.

I’ve mentioned before that I write by the seat-of-my pants. I will do a back page blurb and have my two main characters and inciting incident where they meet and then I eagerly jump in and write. I can write fast when I put my mind to it. Not as fast as some but it is a matter of discipline. The reality is when I’m excited about something I can’t wait to get back to it!

That’s the definition of an ideal job, right?

I wish I could say that every part of writing and editing is pure, unadulterated joy. It’s not. It can be grueling and hard. Grit your teeth and git-‘er-done type of work. However, the initial excitment of starting a story, especially when it flows and the characters are engaging, can be so much fun to write.

I’m often too impulsive to do a basic character interview with my main characters so I jump right in and let them surprise me when they reveal parts of their past that I didn’t know. Sounds mysterious, right? It’s a creative process. I pray that I’m following where the Holy Spirit leads as I write stories that I hope and pray will give glory to God.

This year I do not have a Christmas gnome novella releasing as I focused on one I co-authored with DeeDee Lake called Mission: Matrimony, the last of our military romance series. I also finished, with great joy, writing Sealed With a Kiss, a contemporary Christmas romance based on letters from WWII that had been germinating for years. With planning a house, there wasn’t time to produce another novella. Both of those should release this November, 2026.

Space opened up in my schedule and I’ve longed to write a romance for Quincia Bellpepper. Puck’s twin sister in Gnomebody But You, needed her own story and perhaps I should start writing it. This time I decided to do a character interview with Quincia and her love interest, Jinx Jingleheimer. That takes prayer and time. Real life people don’t give up all  their secrets at once and neither do fictional ones. I should always do this and my writing would be better for it.

When I wrote Sir Micheal’s Mayhem, it was probably the first time I’d done a character interview. Something as simple as the answer to the question, “Do they have any scars and how did they get them?”, resulted in a focal point in the story that revealed secrets and brought the couple back to the spot. I won’t give anything else away, you’ll have to read it to find out, but Sir Michael and Katrina are one of my favorite couples, maybe because I got to know them so well during that interview process.

There was another reason to do an interview for the gnome novella. Gnomes have unique names and I needed to map out family and friends with their requisite names! Picking names is always part of the fun for any story, but the names in the gnome novellas adds whimsy to the tale. It is no different with this one! And even though I’m the one who comes up with their backstories, they still reveal themselves to me in a deeper way through this process. Not everything in that interview will show up on the page but it might influence their actions and choices. Eventually the reader might be privy to the why they behaved as they did. The slow unveiling of a characters past makes the story more enjoyable instead of dumping their individual backstories in the first chapter. A reader wants to experience the adventure, not read their biographies.

If you are an author or aspiring author who would like to write a character interview and acquainted with your characters before you write, there are likely some examples on line. Or you can email me at silygoos@gmail.com and ask me to send my blank chart that I developed for couples (I might have a single one as well). Since it’s a Word doc file you can modify it to your heart’s desire. I’ve taken what others have done and made my own but I don’t proclaim to own rights to it. You might find other questions you’d like answers to.

If you’re a reader, I hope you enjoyed getting a peek behind-the-scenes of an author’s “Getting to know you,” process. I hope the characters that spring from that will bring you a few hours of enjoyment, and inspiration.

Author Confessions: Stumbling Blocks in Fiction Part 1

Feb16
Reading Time: 5 minutes

Author Confessions: Stumbling Blocks in Fiction Part 1

After writing last weeks post which you can find here, I started thinking of stumbling blocks in fiction. I’m going to focus mostly on Christian fiction as there are differences between that and the secular marketplace.

I used to be a reader that if I read the back page and liked the concept and checked out the book–I would read it to the end. It wasn’t too many years into adulthood that I decided it wasn’t worth my time if I wasn’t enjoying the story. Readers now are being more particular.

Here are some examples of stumbling blocks that authors sometimes overlook but will possibly cause a less interested reader to move past and finish a book. These are also things that as an editor might cause me to reject submisson.

Slow start

Sometimes an author can get caught up in writing very descriptive scenes with eloquent words that really say nothing but they sound nice. And this can go on for more than a paragraph where as a reader, I’m left wondering, “What is this story about? Who is it about? When does this take place?” Now having said that, in older literature this was the norm. Creative writing and beautifully crafted scenese before you ever truly understand what is going on in the story. That doesn’t work as well now.

Annoying characters

Characters should be likable. Thus says the author who has enjoyed quirky and sometimes annoying characters as Sherlock, Doc Martin, and House. Characters should have some relatable qualities that make them likable, or at least tolerable. Quirky isn’t necessarily annoying but that depends upon the person. A character might have some personalilty defect but if the reader doesn’t sense that they might change as the story progresses, they are not likely to stick with the story.

Too many people or complicated names

I’ve read science fiction and that genre is spectacular for the made up and sometimes difficult to pronounce names. I had a character in Truffles and Traffic initially called Benedict and one of the editors told me that was too harsh sounding so I changed it to Benjamin, which wasn’t a painful decision as it’s one of my favorite names, and that was before I met my husband. When I wrote the book Pesto and Potholes, Antonio has a large family and I actually had a genogram of all the relations in the order in which they were related to help me keep the story straight. Thankfully, only a few made significant enough appearances that it was easier for the reader to not worry about how all the rest were connected. I wanted the family tree in the book but was told I  couldn’t do that. :-(.  Stumbling over names or having names too similar even, can make it hard for the reader to navigate the story, and anything that pulls the reader out of the story, even to look back to see who is connected to who, is frowned upon.

The story doesn’t move along

Stories that drag from the start or start out gang-busters and then fizzle will challenge the most ardent reader. I find this even when we are watching movies or television series that if they start out slow and the pace plods along, my husband will tell me to find something else. Maybe it gets better by episode three but they lost us in the first fifteen minutes. The same is true for a piece of fiction. The first sentence, paragraph, five pages, might determine whether a reader keeps going. As an editor, I’m often generus enough to read through chapter 3. When editing a book its possible that the real story starts there and I’ll need to tell the author to revise and delete the first two chapters. When I started out writing, I had to do this myself when I realized my error and a kind mentor pointed it out to me. Nothing wasted, but it would have been if it had gone to print that way.

I also read story submissions to the end. I don’t rely on the author’s synopsis. I’ve had books cross my laptop that started out strong but fell apart quickly. Huge disappointment but I’m glad I didn’t offer a contract to them. It would have meant a lot more work for me and the author because the book wasn’t ready.

Time and place are ambiguous

Who, what, where, when, and why, are not only key words for a journalist, but for an author as well. If I can’t tell if the book is historical, sci-fi, fantasy, or contemporary, right away, it is a red-flag and annoys me to no end. Where is it taking place? Is it in America, Africa, Germany, Cuba, Mars, a space-station? Is it during the civil war, WWII, the 80’s, or 2278? If the author can’t tell me that in plain words or by their description, I get incredibly frustrated.  Thankfully, that’s only crossed my desk a handful of times and they were a quick rejection but I did give them my complaint so they could do better. It’s not something I’m required to do but when it’s stuff like that and I’m irritated enough, I will, and hopefully save some other poor reader that frustration.

Main character does foolish things

Now we all do foolish things at times. Maybe I should say stupid things? These have to be pretty big or perhaps dangerous and perhaps even triggering. Not every story is for every reader but no reader wants to spend the six or more hours reading a book, yelling at the character “No!” time and time again. It gets exhausting.

Lack of change or growth in the main character

Characters should change through the story, whether it’s an emotional growth, relationship choices, spiritual, or simply gaining in wisdom that provides a benefit for themselves and others. If the character ends the story in the same state he or she started out, it will leave a bad taste in the mind of the reader.

I realize I’ve talked about some of these things over the years and this is a different, if not negative, approach to the stumbling blocks in fiction. It’s not a conclusive list by any means. But even as a reader I bet you’ll be more aware when you pick up the next book and either you’ll be cheering for the author because they got it right and you’ll enjoy the story, or you’ll find yourself as frustrated as I do when these things happen.

Reminder, I’m not perfect and I’ve made these mistakes in the past. And I might make them in the future. I hope I’ve grown enough as an author that these stumbling blocks in fiction don’t show up in my stories, and if you find them there (because this can be subjective) then I humbly apologize.

 

Author Confessions: A Love of Alliteration

Nov11
Reading Time: 3 minutes

Author Confessions: A Love of Alliteration

Alliteration is when you have a phrase with a similar letter or sound starting words that are in close proximity to each other. I’ve had people accuse me of loving alliteration. Why? Well, simply because of some of the titles of my books. Before I start listing those that have this lovely literary feature, let me first say that it wasn’t intentional when I started, I just liked the way the first book titles sounded in two series and then decided to keep writing in that same vein. Having titles that are somewhat similar in length or content can be helpful for the reader in recognizing it as your book, especially when there is a series. Alliteration can capture attention and as an author I want people to be drawn to my books, but that is not the only way to get their attention. Designing a captivating title is an art in and of itself.

My first was my Regency series. I started with The Virtuous Viscount, then wrote a prequel called The Baron’s Blunder. Subsequent books as I went on realizing I had enough ideas for an entire series are: Lord Phillip’s Folly, Lord Harrow’s Heart, and The Captain’s Conquest. That series came to an end, but that doesn’t mean I haven’t abandoned the idea as I have some Regency novellas with this feature: The Doctor’s Daughter, and Gabriel’s Gift. Some of my other Regency Christmas novellas do not have that feature. I try to use whatever works best for the story I’m writing.

I started writing contemporary after I tried my hand at historical and then every year for many years I was writing one of each. That first book was Pesto and Potholes, only because I wanted something that would work potholes into the title and be intriquing. Then someone suggested I write another book called Salsa and Speed Bumps and well, I liked the idea of that so I did. After that the challenge was on to pair a food-related item with a road-related item. How do you think I did? Titles include: Feta and Freeways, Root Beer and Roadblocks, Bratwurst and Bridges, Donuts and Detours and finally, Truffles and Traffic (as a fellow writer really wanted me to write a book with truffles in the title!). I actually have a sheet of  ideas of possible future titles for this series, so who knows? That one could continue indefinitely if I wished, and could come up with titles. The challenge is that the food must be part of the story, which is the easy part, and the road-related reference has to be a metaphor used in the story, whether obviously as in Pesto and Potholes or subtly in others. The title must make sense to me and to the reader.

Most of my contemporary Christmas novellas do not have this feature.  Sugar Cookies and Street Lamps was originally supposed to be Sugar Cookies and Street Crossings but that was nixed by my Editor-in-chief. Oh well, she felt it sounded better as street lamps and she featured one on the cover. Who am I to argue? It’s more about the story than the title and as I’ve written about in the past, not everyone gets the title they want. Just doesn’t always happen that way. The metaphor worked either way but I lost the full alliteration I was trying for.

I’m not the only author to use this for purposes of titles. Consider:

Also in visual entertainment:

  • Mamma Mia
  • Dr. Dolittle
  • Mork and Mindy
  • Midsomer Murders
  • Gardians of the Galaxy

Character names as well:

  • Lois Lane
  • Peter Parker
  • Bruce Banner
  • Bilbo Baggins
  • Big Bird

So here’s the question, do you like alliteration in titles? Why or why not? I’d be curious to know!

Author Confessions: Humor is Hard to Write

Apr1
Reading Time: 4 minutes

Author Confessions: Humor is hard to write.

As a reader, I’ve enjoyed reading books that have humor. Humor can lighten a dark spot in a story or can make the characters more likeable. Watching a comedian though is far more interesting than reading their act, or listening to them. There is a physicality to humor that can be expressed in the twitch of an eyebrow or a smirk, or even the struggle the comedian has to keep from laughing themselves.

The unexpected can lead to humor. So can quirky characters. Personally, I’m not that funny but unintentionally, yes. But how does that translate to the page? Most of the time it doesn’t.

I attended a few workshops at ComedySportz in Milwaukee, Wisconsin many moons ago. I worked for a while as a hostess and the ticket booth and at that time we were encouraged to be weird and wacky if we desired. Of course, some customers bring it out better than others but they are coming there for improvisational comedy so there was a freedom to not so much tell jokes, but to try to get a smile on someone’s face. Again, this is all in person’s facial expressions, or the clothing I wore as well as tone of voice and words all mingled to get a laugh.

I was never good enough to be a mainstage player. We did workshop shows and I performed well. It was fun to be playing games that facilitated silliness and to do it with other people also trying to be funny. Not every bit was hysterical but we sure had a good time. In the classes we learned games and how to let go of the strict proper control we’ve learned to relax and let the funny come naturally—and work as a team. The biggest lesson when playing the games? Mistakes are funny. That’s why the best players, when they fail, fail big and it entertains everyone.

When I stumble upon a book with humor, I enjoy more, maybe because they are harder to find and difficult to write. When I wrote my first novel, Pesto & Potholes, I did put a silly character in there. She was very dear to me and the reality is there are people in the world like her and it showed the depth of character of my female protagonist in the way she treated this sweet woman named Edith. She was spunky and mentally ill and I towed a fine line between finding the funny and not making fun of those who struggle with such illness. I think I did it well and she as a character brought comedic relief to some emotionally heavier parts of the story. Most people loved Edith. One person commented that they didn’t understand her. Not every humorous moment will strike everyone the same way. I’m OK with that.

I’ve had an editor that has encouraged me to have more of those lighthearted, sillier moments in some of my stories and I’ve worked at that but none of my books would be described as romantic comedies. I’ve found few authors writing those as well although as an editor it is what I would love to edit the most because of the joy of the story.

I want to grow in my ability to write humor but to be honest, my own mind can be a dark place. Oh, I’ve been silly quite often and my husband especially encourages goofiness and draws it out of me because he delights in being goofy and trying to bring a smile to someone’s day. And every day he does that for me. I’m not as uninhibited.

I wrote a Christmas novella this year that deals with heavy topics but has a dash of silliness and wit to it. More than previous books. When I read it again before submitting it I found myself smiling most of the way though for the pure joy of those lighthearted moments in the story. Maybe I’ll be able to grow in that area as an author. I have another story I want to work on and I think when I start it there may be far more humor, though subtle, than some of my previous works. We’ll see.

Wit is not easy to write, but does involve a certain pacing to dialogue to make it work right. We’ll see if readers enjoy those moments as well in my upcoming Christmas novella.

Writing humor is challenging and probably why so many people don’t do it. There’s a desire to not minimize the emotional pains by adding a touch of humor to a story, but they can both exist with a deft pen (or typewriter). Here’s hoping I can grow in this area as a writer as. If I succeed, I hope my readers will appreciate the effort because humor is hard to write.

Do you enjoy humor in fiction or am I the only one?

Lessons Learned While Writing: Two Kinds of Writers

May9
Reading Time: 2 minutes

Before I started writing my first novel I had heard about people outlining their books but had no concept of what that could possibly be about. I just started writing…and kept writing…and 21 days later had a book that was way too long!

When I write a non-fiction piece of work, whether a talk I’m going to give or a book, I do outline. But I find an outline restrictive to the creative process for me as a writer when I’m writing fiction. People who outline struggle to believe there’s another acceptable way to write.

So I learned there are two kinds of writers. Actually—there are two extremes. Pantsters who have no idea what there are doing and wing it and planners or plotters who outline their books, do in-depth character interviews, understand the motivations, story arc, and plot points.

The funny things is, I do some of that now, but not as much as a pure plotter would do. I’m co-authoring a series with a plotter. The first book we did together was torture for me trying to make sense of this story arc and the characters and there were timing issues that I needed to fix. That was primarily because it was handed to me to start the rough draft. I did manage it and the story is wonderful, but it was challenging on so many levels.

My plotter friend, DeeDee, and I now do much of that work together. She comes up with the main stuff and we wrestle through plot points and we talk it out quite often. I give her stuff to write as well so I’m not the only one putting original words on the page. For me getting to know the characters well has been huge for this. Plot points are suggestions and sometimes I come up with fun surprises. I figure if she reads it kind of knowing what is going to happen and I can surprise her, then I can surprise the reader too! It’s a balance that so far seems to be working for us.

Either end of the spectrum is fine. Pantsters want some love too and maybe some of that is personality or part of the unique creative soul some of us have, but it’s OK and no way of writing is right or wrong as long as the writer, in the end, produces a great piece of fiction.

If you are a writer, where do you fall on the pantster-plotter spectrum?

Lessons Learned while Writing: Omniscience vs Free Will

Mar21
Reading Time: 3 minutes

This might seem like an odd thing to learn about while writing fiction but hang in there with me. My master’s degree is from a seminary. I have taught theology and studied the attributes of God. His omniscience vs out free will is an issue people have been arguing about for centuries.

I don’t really have the answer to that debate although I fully believe in both. God knows everything which should terrify us. EVERYTHING. Every thought and intention of our hearts, our motives, the words we don’t say out loud but think. Our wants and desires. Our deepest fears. Amazingly enough, He wanted His human creation, dependant upon Him for every breath we take and every beat of our hearts, to have the freedom to accept or reject Him.

He didn’t want puppets to worship Him. He wanted people willing to give their all to Him because He called and we chose to respond.

Now we could debate about how could God, who knows everything we will do, give us free will since He already knows we will do it?

I can’t answer that. Some thoughts are far too lofty for this mere mortal.

But I came to a place of peace with this because of my writing. It is not a perfect illustration because again, as a writer, I’m a mortal, not eternal like God is.

When I write my story I have an idea of what the journey for my characters will be like and who they are. (Remember, these people don’t really exist even if they seem to in my mind).  I have a general concept of my ending. Since I write happily-ever-afters it will be a happy ending. There will be love. Maybe a kiss or a wedding, and regardless of where my characters start on their journey, they will have grown emotionally and spiritually. Because I’m human and haven’t written the book yet, I’m not sure of all the details of those journeys to love and greater wholeness.

Whether a writer is a panster (write by the seat of his/her pants) or a plotter, planning out general points of the story’s plot, our characters sometimes surprise us. I can have in-depth interviews with these imaginary people but they sometimes throw me for a loop with a memory, or an issue I wasn’t expecting. Sometimes they make a choice I didn’t anticipate. However, I get them to my desired end for the book.

Once the book is written I am fully aware of their choices and decisions and the precise ending.

God knows my beginning and my end. He has a plan and a purpose for my life but I still make choices. Unlike me as an author, God is never surprised because He’s already read the end of my story. He read it before I was even born. That doesn’t mean He dictated my path.

I’m not even sure if that fully makes sense to you, but it does to me. I can’t understand just how it really works with an all-knowing, sovereign Lord, only that I can listen for His voice and maybe I’ll make mistakes, but He will get me to my desired end and use me to fulfill His purpose here on earth. Maybe I’ll sport some bruises from my failures, but He will never stop loving me on the journey through my story.

And He is also the One who leads me as I write. How else can my characters surprise me if my God-given imagination didn’t let that happen? An imagination designed for me combined with my history and past experiences to create a story out of nothing because I am an image-bearer of the Creator Himself.

Maybe this is too lofty, but I’ve found peace in not understanding how it all happens. It is a holy mystery beyond my ability to grasp but His omniscience doesn’t negate free will and there is wonderful security in that truth.