Tag Archive | writing

Author Confessions: Relationships Are Messy

Reading Time: 3 minutes

Author Confessions: Relationships Are Messy

Does that statement seem more like a “duh” to you? It does to me. As an author we want to have conflict and obstacles for a relationship to face as a story progresses. We want the characters to struggle in their relationships. Kind of sad that we don’t want to read smooth, conflict-free, stories when we were initially created for that kind of life in the Garden of Eden. I can’t imagine how this will play out in heaven when conflict and struggle is all we know down here.

We all come to relationships with a history of good and bad, sometimes trauma, physical, spiritual, or emotional wounds (or all of the above). We come with a family culture that is likely unique from faith, traditions, language, and even the foods we eat. Our neigbhorhoods might be different from others. We might even dress or look different. Our finanical status will impact the quality of life we experience and the kinds of resources that are available to us.

This is why those from a similar cultural upbringing might have an easier time than those from totally foreign experiences. That doesn’t guarantee if you marry someone of the same skin tone, faith, school background and family background and even genetics, that you will be conflict free.

We are so unique in so many ways that it really is a miracle when people can get a long at all. We are emotional people as well and the way we are wired is not identical to anyone else even if you can fit in a similar Meyers-Briggs catagory. I have three close friends and we all share the same Meyer’s Briggs type – but we are still so very different from each other.

I was watching Doc Martin a while back and his wife struggled with how different Martin was but finally had to realize that there is no one who is truly “normal” and trying to completely change him without considering that she might have some flaws to iron out as well, was difficult for her to come to grips with. She finally did.

Appreciating someone for the unique person they are does not mean excusing sin or enabling destructive behaviors.

An author has to take this all into account while writing a story. Sometimes it is the quirkiest characters that people love the most. Maybe that is because all of us have some quirks and can relate to feeling different at times.

If we think any relationship is going to avoid conflict and the need to navigate difficulty, we are delusional. It is what makes stories so much fun to read, but in real life it is rarely comfortable or fun. Often when we face someone else’s personality rubbing ours the wrong way, we need to look at ourselves to figure out how much of that is them–and how much is us.

Not everyone is going to be a friend. Even so that doesn’t mean we need to be disrespectful to them, even if for our own sanity we need to avoid or limit our interactions with them. That is a tricky balancing act: preserve our emotional well-being while trying to be respectful. Boundaries can be hard to execute but we need to do that and be clear about those limits where possible. It’s OK to protect yourself in any interaction.

It’s a miracle that after traumatic pasts, both my husband and I generally get along well and enjoy each other’s company. When life is stressful, or someone is in pain, or doesn’t get enough rest, or is hangry (angry due to hunger) it can definitely complicate our interactions. It would be nice if we could all just totally get what is going on inside someone’s head, but I guarantee mine is sometimes a dumpster fire and not pretty.

So why do I bring this up? Because in our fantasies the right person in our life will make everything perfect. We deny the accomodations, the negotiations, along with everything else that goes into a relationship. We need to be real because sin has impacted every aspect of this world. It seperated us from God but can also drive a wedge in between us and people we care about. Navigating all of that takes humility, prayer, and effort.

Do you agree that relationships are messy? How do you navigate that in your own life? What kind of characters are you drawn to in fiction and how messy are their lives?

Author Confession: The Dangerous Emotion of Jealousy

Reading Time: 4 minutes

Author Confession: The Dangerous Emotion of Jealousy

Jealousy is another emotion we often downplay and don’t confront in others, much less ourselves. It’s a great tool in romance novels because jealousy can cause people to do things that create conflict and that’s always great for a story.

It’s not so good in real life. I’ve struggled with jealousy throughout my life. I’m sure you have to if you’re honest. It’s an emotion. Even God gets jealous but then He has good reason to be when His children seek worthless idols to distract them from a relationship with Him. We are all guilty of that. So when God is jealous and gets angry because of that jealousy, it is acceptable and not a sin.

For His created people, it is sin if we let ourselves simmer there. Jealousy is coveting what someone else has. The tenth commandment states: “You shall not covet your neighbor’s house; you shall not covet your neighbor’s wife or his male servant or his female servant or his ox or his donkey or anything that belongs to your neighbor.” Exodus 20:17. Interesting that it does not disparage the desire for the gifts God has given us. Much like our Lord, we can be jealous for time with our spouse or children. As long as that emotion doesn’t lead us into sin.

I can drive around and admire homes without being jealous or wanting that particular home, or one like it. But if I am jealous and desire that home then I’m sinning because I am not content with what God has given me.

I’ve been jealous of other authors. Their successes. Their writing style. The big publishing contract. But I stop myself for a few reasons from dwelling there. Here’s why:

  • God gave them a unique voice and calling and to elevate theirs as superior is to denigrate the work HE has done in and through me.
  • Big book sales do not always equate to eternal impact. If I want to make money, I could write the stuff that really sells, but that is not what God has called me to do.
  • If I believe God has called and led me on the path I am on, it is wrong for me to compare that with the path He has someone else on.
  • I have no idea the sacrifices that person has made to get where they are. As most don’t know mine either.
  • If God blesses another author with a bigger sales and paycheck than myself and we are both being obedient to Him, then I should rejoice in His work because He knows the plans He has for all of us to use for His glory.

So how do I fight the tendency to jealousy? I stop and celebrate what God has done for that author. When it comes to Christian publishing, we are all on the same team! We don’t need to be competitive or one up another. That’s why I rejoined a writer’s group – so I could be a cheerleader and also be encouraged on my journey. I’ll admit sometimes I feel inferior no matter how many books I’ve written.

What about jealousy in other areas of life? We can elevate people based on outward appearances but we may not be aware of the dysfunction behind the scenes. Maybe a family looks great on the outside, perfect husband and wife and kids with no problems. At least for now. That you know of. Or someone with a great career, but again, we don’t know the sacrifices or maybe even the heartache that is going on deep inside. Good things come with a cost.

Being jealous is telling God that what He has given me isn’t good enough. It’s like the second son in the story of the prodigal son (Luke 15:11-32) who is upset that the father never threw a party for him but gave one for the returning wastrel. Jesus told a parable about a master paying laborers the same even though some didn’t work as long. (Matthew 20:1-16) and likened this to the Kingdom of Heaven. Jesus can distribute gifts through the Holy Spirit and blessings as HE sees fit and I have no right to be angry or jealous. My job is to honor and obey HIM and not seek other things, including a lucartive publishing contract or huge sales. If I submit to the Jesus and let the Holy Spirit reign in my heart and life than I have reward enough.

When I stand before the throne of God someday He is not going to ask me why my kids didn’t turn out as accomplished as someone else’s kids, or why my house wasn’t bigger or better, or cleaner! He’s not going to judge me on my BMI or the brand of clothing I wear. He won’t care how many people read this blog or how many books I wrote or sold, or how many people follow me on social media.

He will only care that I repented of my sins and put my faith in Jesus Christ alone.

There will be rewards for the obedience and forgiveness for my failures, even the ones I’m not aware of. That’s grace.

We all stand equal at the foot of the cross. It is a level playing field and the rest is smoke and mirrors. Where is my devotion? God is jealous for me to worship only Him not book sales. The dangerous emotion of jealousy can impact all of us in various ways. How do you deal with it?

Author Confessions: When Discouragement Hits Hard

Reading Time: 2 minutes

Author Confessions: When Discouragement Hits Hard

I have struggled with depression pretty much all my life. Even with medication there are days when it can hit hard. Add winter in Wisconsin and the lack of sunshine, Seasonal Affective Disorder can get mixed up in there. I’ve learned to relax into that reality and make adjustments when the energy level sinks and my body indicates it needs more rest than activity, or conversely, needs connection more than isolation.

I had a challenging November. Somehow with lots of extra free form writing I managed to finish National Novel Writing month (Nanowrimo.org). Lots of words to be deleted from that document! The story wasn’t finished but I’m hoping that it will be soon so I can start working on the editing process.

Surgery for me the week before Thanksgiving, and then last Wednesday, surgery for my husband, makes for challenges to navigate.

With all the chaos of November, I didn’t get my December marketing done and I will confess I was discouraged with the reality that only one person who read my latest Christmas novella, I’ll be Gnome for Christmas, wrote a review. I did a Facebook live for the first time to promote the book—and no one showed up. I understand. We are all busy!

I have to do some reevaluating again… Why do I write? It is a calling I believe, but is it really having an impact in this crazy world? It’s not a financial boon in any way for our family. It is a sacrifice of discipline getting my butt in that chair and hands on a keyboard to come up with a story, and fashion characters out of thin air that hopefully will relate a message of hope and faith, and maybe even fun that will entertain and encourage a reader. Or show them a true, vital faith that can be theirs.

Obviously, I am writing this post on one of the lower days. Healing takes energy and can make me tired but that can compound the feelings of discouragement if not depression! And honestly, at the moment I’m writing this, I’m more discouraged than anything.

This isn’t a pity party. No one comes when anyone hosts those! I’m writing an honest confession that authors face. Discouragement. Does what I do matter? If I stopped writing stories would anyone care?

The better question I need to be really asking is: What is GOD calling me to do? After all, it’s only HIS opinion that matters. More than any and book reviews or sales are not any validation of HIS call when the work of the heart is something He is only aware of. And that, my friends, is only a question He can answer. Many of the people in Scripture who were following God’s lead faced these same issues.

How do handle it when discouragement hits hard? I’d love to hear about it.

Maybe this old song by Caroyn Arends will encourage you as it does me: https://youtu.be/mwWy-T8WWFo?si=IVzJ1lgbS7REz-xg

Author Confessions: Hold On To Your Eyeball (Moving Body Parts)

Reading Time: 2 minutes

Author Confessions: Hold On To Your Eyeball (Moving Body Parts)

I’m taking a little departure from dangerous emotions (yes, there are more of them!) to do something more specifically writing but does relate to real life because it is how many American’s talk. Autonomously moving body parts in fiction is usually discouraged but doesn’t mean they won’t creep onto the page.

I was explaining this to some non-writer friends and I used the explanation of “His eyes rolled.” as an example. See here the eyes are acting on their own volition which is different from “He rolled his eyes.”

This resulted in some hilarity because it was like the eyes rolled almost like a meatball from the song On Top Of Spaghetti. So we revised the song.

On top of spaghetti all covered with cheeseI lost my poor eyeball when somebody sneezed
It rolled off the table, it rolled on the floorAnd then my poor eyeball rolled out of the door
It rolled in the garden and under a bushAnd then my poor eyeball was nothing but mush.
The mush was as tasty as tasty could be,And early next summer it grew to a tree.
The tree was all covered with beautiful mossIt grew great big eyeballs and tomato sauce.
So if you eat spaghetti all covered with cheese,Hold on to your eyeball and don’t ever sneeze.
Now in spite of us laughing at this ridiculousness, it got even funnier when I learned that my husband had never heard this song! If you click on the song title above you’ll hear a  version of the song with the original lyrics.
So pardon my detour there, but sometimes we just need to be a little silly about these things as they are funny if you think of them literally. Here are some examples:
  • Her eyebrows raised. (Really, raised what? The roof? An objection?) Better: She raised her eyebrows.
  • Her arm swung freely. (Is this like on a swingset?) Better: She swung her arm.
  • Her head turned. (Now I got Friday the 13th vibes). Better: She turned her head to the right.
  • His sad eyes arrested her. (Did they have handcuffs?) Better: His sad gaze arrested her attention.
There could be countless more examples. Let your characters in your writing be the ones making their body’s move instead of them going off on their own as if to steal the scene of your story. Yes, it can be creative but I was recently reading a book by Yakov Smirnoff about how confusing some of the language was as he learned English after moving to the United States, and while it is funny, it can be challenging to a less skilled linguest who might be reading. So be careful as you write, and no matter what, hold on to your eyeballs!

Author Confessions: A Love of Alliteration

Reading Time: 3 minutes

Author Confessions: A Love of Alliteration

Alliteration is when you have a phrase with a similar letter or sound starting words that are in close proximity to each other. I’ve had people accuse me of loving alliteration. Why? Well, simply because of some of the titles of my books. Before I start listing those that have this lovely literary feature, let me first say that it wasn’t intentional when I started, I just liked the way the first book titles sounded in two series and then decided to keep writing in that same vein. Having titles that are somewhat similar in length or content can be helpful for the reader in recognizing it as your book, especially when there is a series. Alliteration can capture attention and as an author I want people to be drawn to my books, but that is not the only way to get their attention. Designing a captivating title is an art in and of itself.

My first was my Regency series. I started with The Virtuous Viscount, then wrote a prequel called The Baron’s Blunder. Subsequent books as I went on realizing I had enough ideas for an entire series are: Lord Phillip’s Folly, Lord Harrow’s Heart, and The Captain’s Conquest. That series came to an end, but that doesn’t mean I haven’t abandoned the idea as I have some Regency novellas with this feature: The Doctor’s Daughter, and Gabriel’s Gift. Some of my other Regency Christmas novellas do not have that feature. I try to use whatever works best for the story I’m writing.

I started writing contemporary after I tried my hand at historical and then every year for many years I was writing one of each. That first book was Pesto and Potholes, only because I wanted something that would work potholes into the title and be intriquing. Then someone suggested I write another book called Salsa and Speed Bumps and well, I liked the idea of that so I did. After that the challenge was on to pair a food-related item with a road-related item. How do you think I did? Titles include: Feta and Freeways, Root Beer and Roadblocks, Bratwurst and Bridges, Donuts and Detours and finally, Truffles and Traffic (as a fellow writer really wanted me to write a book with truffles in the title!). I actually have a sheet of  ideas of possible future titles for this series, so who knows? That one could continue indefinitely if I wished, and could come up with titles. The challenge is that the food must be part of the story, which is the easy part, and the road-related reference has to be a metaphor used in the story, whether obviously as in Pesto and Potholes or subtly in others. The title must make sense to me and to the reader.

Most of my contemporary Christmas novellas do not have this feature.  Sugar Cookies and Street Lamps was originally supposed to be Sugar Cookies and Street Crossings but that was nixed by my Editor-in-chief. Oh well, she felt it sounded better as street lamps and she featured one on the cover. Who am I to argue? It’s more about the story than the title and as I’ve written about in the past, not everyone gets the title they want. Just doesn’t always happen that way. The metaphor worked either way but I lost the full alliteration I was trying for.

I’m not the only author to use this for purposes of titles. Consider:

Also in visual entertainment:

  • Mamma Mia
  • Dr. Dolittle
  • Mork and Mindy
  • Midsomer Murders
  • Gardians of the Galaxy

Character names as well:

  • Lois Lane
  • Peter Parker
  • Bruce Banner
  • Bilbo Baggins
  • Big Bird

So here’s the question, do you like alliteration in titles? Why or why not? I’d be curious to know!

Author Confessions: We all have Blind Spots

Reading Time: 5 minutes

Author Confessions: We all have Blind Spots

When my son was taking his driver’s test, he failed because he forgot to check his blind spots. Funny how technology helps with that now. My newer vehicle will flash a light on my door to let me know a car is coming up on that side. Even with that, if I were going to make a lane change I should still look to make sure there is no one sneaking up on me.

Personally, and as authors, we all have our blind spots. So do our characters.

The Johari Window is a visual way to consider just how open a person you are. We all have secrets and obviously with certain people we will be more open and vulnerable in sharing our inner world. Not everyone is a safe person to do this with  so caution is sometimes warranted, especially in newer relationships.

As you can see on the left there are four areas of our personal life. That which is open and people can see and we are willing to share with others – known you and the other person. The bottom left quadrent is hidden. You know those parts yourself but you haven’t shared them with others. The bottom right, unknown quadrant our inability to see all of our inner self. Of course, God sees and knows all of it whether we chose to be open with Him or not. Nothing is hidden from him. The fourth and final quadrant, the upper right, is the blind area. This is where you don’t know, but others do.

A fun example might be when someone points out you are wearing two different color socks. They saw it but you didn’t realize because you got dressed in the dark. they point out that blind spot to you and as a result the open area expands to the right.

When we are in a close relationship with someone there can be more sharing and the open box can grow as we share the hidden things of our heart with them and they point out our blind spots: errors, quirks, attitudes, mistakes, and maybe even sins or iniquities, the unintentional stuff that might offend someone without our realizing it.

When we are in a relationship that is safe, we can share our treasures, those thoughts, feelings, experiences that matter deepest to us and thus expand the open area. Someone who has been traumatized, might find the open area shrinks as they protect themselves from further abuse.

As an author, my characters need to have these four as well, although sometimes the writer might cue the reader in on the blind or unknown quadrants and forshadow that aha moment when the character is exposed to that new information.

I need safe people in my life to show me my blind spots.

Telling someone they are overweight is typically not helping someone with a blind spot, although I had a friend who revealed to me that she had no idea she had a weight problem before doctors told her she needed to do  something about it. Most people are aware of those kinds of things.

Someone who is angry might drive fast without realizing it. That blind spot might be revealed when they are pulled over and get a ticket.

Most blinds spots should be exposed gently if possible. I’ve done teaching and told people to please let me know privately if they see something offensive in me, so I can grow. In other words, be considerate in how you share my blind spot with me, but also, I’m giving you permission to share because I’m trusting that you will have my best interests at heart.

That’s a pretty bold statement.

Psalm 19:12 says “Who can discern his errors? Acquit me of hidden faults.” God sees it all the blind and unknown parts of us.

Job 13:23, asks: “How many iniquities and sins have I committed? Reveal to me my transgression and sin.”

We cannot grow if the Lord doesn’t show us where we need to grow. The truly hidden parts and the blind spots. Sometimes God uses human beings to help us with this.

Caution

Not every person who tells you about a blind spot or confronts you with what they perceive is sin in your life, is trustworthy or honest. Sometimes people will blame us for their own shortcomings. Other times they tell us things to stop us from God’s plan, possibly out of jealousy.

Response to Hard Criticism/Blind Spots

There are a few things I’ve done when I’ve gotten hard criticism that was something I hadn’t heard before. How can I tell if it’s really a blind spot?

  1. In the moment, I thank them for their feedback. Oh, this is difficult when the punch comes hard at you.
  2. If I’m not sure it’s true, I might ask them for specifics. Give me an example of what I did wrong.
  3. Pray about it.
  4. If I still can’t quite accept that this is true of myself, I might check it with a close friend. I’ve had people attribute things to me that I didn’t believe were true and sometimes a close confidant can shed light on why it might be that way. I didn’t actually do anything wrong, however, it might have been interpreted differently by that person. Sometimes people will assign motives to you that are simply untrue.
  5. If I really have erred and hurt someone via a blind spot, I apologize and ask the Holy Spirit to help me change.

Psalm 139:22-24 states: Search me, God, and know my heart; test me and know my concerns. See if there is any offensive way in me; lead me in the everlasting way. Ultimately any blind spot or perceived iniquities need to be brought to God. If it isn’t true than I can trust that God knows my heart and that is more important than anyone’s opinion. 

We all have blind spots and only someone arrogant or narcissitic will refuse to accept that truth. Trust me. I’ve met some of them. I’d rather let God help me grow by showing me those areas I’m unaware of. I may not know what I don’t know, but He can slowly reveal those things to me and I’m glad He doesn’t overwhelm me with my failings as that would be too much to bear. I’m grateful for a compassionate and loving God who loves me as I am but doesn’t let me stay there, but continues to grow me in  holiness through His Holy Spirit.

As an author, this is helpful as well as I see how soon a character might reveal secrets to another person. This is why the information dump in the first few pages is a poor choice, as the reader wants to get to know the character along with the others in the story and that is a process that takes time, but is worth the effort.

As an editor, when I see something an author is doing that isn’t the best, I assume it’s a blind spot and use it as a teaching moment as some have done for me along the way. Being light and not accusatory goes a long way to soothing the sting of an edit where they did something wrong but were unaware of it. We all have blind spots in our writing, partially because we love our stories so it be hard to be objective.

How about you? Have you been exposed to blind spots? How has that impacted you?

 

Author Confessions: To Be or not to Be

Reading Time: 4 minutes

Author Confessions: To Be or not to Be

I was at a writer’s group years ago and another writer told me that we should avoid any version of “be” words: is, am/be, was/were/would.

That’s kind of like deleting the word “the” isn’t it? If you remember my blog post from September 2, 2024, I talked about all the kinds of verbs. The “be” verbs are helping verbs. Like many words, these verbs can be overused but do not need to be eliminated completely.

There are some reasons why you might modify these verbs. I will try to use real examples from my novel Root Beer and Roadblocks to see if I can improve on anything.

Stronger Verb is Available

Sometimes be verbs help along another verb, but occasionally there are other, tighter options.

What I wrote: The morning was a rush to get David off to school and make it to the oncology clinic on time. 

Another option: She rushed that morning to get David off to school and make it to the oncology clinic on time.  

Now that didn’t involve a different verb, just a different emphasis. The reality is a morning can’t be rushed. It is simply a morning. However as people we can be. So if I were to revise this novel that might be a better way to phrase it. Not bad the way it was but slightly tighter with the revision.

What I wrote: The bigger question was—did she have the courage to confess the truth to Johnny?

Another option: The bigger question remained—did she have the courage to confess the truth to Johnny?  Definitely using a stronger verb here.

Avoiding Passive Voice

My software used to warn me about passive voice and I’m not always the best at recognizing it. Some things are easier for some writers than others. Not all instances of passive voice should be shunned. Sometimes they are appropriate. However, the desire in fiction is for a more active voice. You can do a check on that through Grammarly if you download that to your computer (they have a free version) but I’ve found it not to be entirely accurate. If you question a phrase you can put it into a passive voice checker.

Avoiding “to be” or “was” can help eliminate passive voice but not even that is a perfect rule.

What I wrote: She took the clothes away to be washed, leaving Khloe to explore under David’s watchful eye.  (this is passive voice)

Another option: She left to wash the clothes, leaving Khloe to explore under David’s watchful eye.

Caution: There are many uses of to be that are not passive voice so eliminating them all is not the point. Minimizing passive voice is probably something I should cover in another post, but it really is not something I’m great at. (All the more reason for me to explore it, right?)

When to Avoid Changing a Be verb: 

When it changes the tense of the sentence as in continuous action verses past tense.

What I wrote: Johnny came out to schedule his next appointment, and Katie was at the desk.

Better option: Johnny came out to schedule his next appointment, and Katie was sitting at the desk.  This might have been a better way for me to write that sentence since it was a continuing action. She hadn’t just sat down. To say she sat at the desk could have been misleading.

When you might be substituing another overused verb.

What I probably wrote in a first draft: She felt overwhelmed with the number of people, but David stuck close and kept her up to date as to who was who. Felt is an often overused word and personally I’d prefer the was to the overused verb like felt.

What I wrote: She was overwhelmed with the number of people, but David stuck close and kept her up to date as to who was who. Even better would have been to describe what that experience was like physically and emotionally for her. (The Emotion Thesaurus!)

When it simply reads better with the be verb. As with any of the things an author can consider, readability is always king and if any version of “be” is appropriate and nothing else satisfies, then keep it.

What I wrote: He knelt down to embrace all three kids. Apolo was stuck in the middle.  I honestly cannnot figure out a better way to write that except to perhaps have him be squished which would be a more descriptive verb.

This obviously was bare bones but to be or not to be is a question that authors sometime need to wrestle with and oftentimes it isn’t as high on the list of things to worry about when writing, especially the first draft. The final version of Root Beer and Roadblocks contained:

  • 758 instances of was,
  • 197 instances of were,
  • 162 instances of to be (mostly without being passive),
  • 407 of be,
  • 31 of am,
  • 350 of is, and
  • 323 of would. 

Compare that to other often used words in that novel:

  • 2,982 uses of the
  • 1,735 use of a
  • 165 uses of an
  • 523 uses of as

The be verbs cannot be completely eliminated because as helping verbs they make things click well and most readers don’t really even see those words. When I used to use AutoCrit these were not words they even flagged to be on the watch out for. Still, it’s worth having the discussion of to be or not to be and in most instances I’ll stand in favor of be words.

 

 

Author Confessions: Author Pets

Reading Time: 4 minutes

Author Confessions: Author Pets

One of my fave pics with Spatzle. I had him for 10 wonderful years.

Funny, I almost typed author pests. Maybe there is some truth to that because I sit and write I sometimes have a puppy plop into my lap or pull at my pants for attention. Sometimes they can be a pest.

Benji with my hubby, Ben. He picked us and we loved him for a short 18 months.

Some authors use their animals in their fiction. I did model a dog after my Spatzle when I wrote Donuts and Detours. That was the image I had in mind when I did that. Of course, my book reviews have been done by my dogs for many years now and that has been fun.

The sad part was when I had to say good-bye to a dog.  We got Benji to help Spatzle in his old age and it worked but he passed away in early 2022 and never had a chance to write for me as Spatzle did such a great job. Then we adopted Cooper because Spatzle was grieving and that gave us many more months with my sweet dog. Spatzle passed away at the end of 2022 Cooper took over for Spaztle on the blog. We never got him a companion because he was happier as an only dog. Cooper died February of this year (2024) as his health deteriorated so rapidy.

Cooper was silly and fun, we miss his antics.

Marley was with us for too short a time. We were sad to lose him too.

Oliver keeping watch. He reminds me so much of Spatzle, but is far more hyper and affectionate.

The day after we put Cooper down, I found Oliver. A 6 month old, and the same breed as Spatzle had been. Because our grief was great, we adopted the puppy. I didn’t want a puppy. Too much work. I wanted it potty trained. I discovered that “mostly potty trained” meant I still had messes in the house. Ah but Oliver is a cute little shenangiator and we’ve come a long way since we got him after we put Cooper down.

Two weeks later we adopted a senior dog, Marley, to help Oliver learn how to “dog”. It helped a lot but we only had a few short months with sweet Marley. Anticipating Marley’s death, we got an Amish puppy mill rescue who was three. Minnie was terrified. She’s come a long way since then but we hope that these sweet pups will be with us for a long time to come now. Marley had been our fourth senior dog to  be put down in a little over two years. That’s a lot of heartache.

Minnie has a lot to learn but she’s getting there!

Now these younger pups bring life and laughter to our days. When my hubby is off working on his various projects, they keep me company and I can’t sit at my computer for hours like I used to before dogs came into my life. That’s a good thing although I do find it sometimes annoying.

Many authors do have pets. But then, many humans do. Being an author can be isolating and having a devoted fuzzy friend can be a comfort on any day and a delight on many of those with their shenanigans.

Since I’ve started adding Oliver and Minnie and having them share the book reviews here on the blog I figured it would be good to let you know where the other ones have gone. They may not be in our home any more but they are forever in our hearts.

Author Confessions: Easter Eggs

Reading Time: 3 minutes

Author Confessions: Easter Eggs

Why, in fall, would I be talking about Easter eggs? I don’t know, maybe because it’s not about Resurrection Day or cute little bunnies or hunting for eggs around the yard or house. What I am talking about are the hidden things author put in their books just for fun, and hopefully for the fun of the reader.

This was done spectacularly in the television show, Psych. I was introduced to that show and fell in love with the over-the-top characters and their outrageous shenanigans. Funny, because that could at times describe my husband but that show is just too silly for him. Maybe it was a season in my life but it was a great escape. There is an example of the Easter egg phenomenon though that any Psych fan would know about. What is it? Pinapple.

In the first episode, Shawn Spencer (brilliantly played by James Roday) grabs a pinapple and asks about taking it along. For all I know it could have been improv for the scene as there was a lot of improvisation that took place in that show. After that they made sure to include a pineapple all 120 episodes either visually or in the dialogue. It might be obvious, or it might not. The fun for the fan was to find the pineapple. Fun tidbit, the TV show Chuck, used the word pinapple when there was an emergency. A nod to Psych? Possibly.

So how does that relate to an author? Sometimes author put Easter eggs in their stories. For instance, every one of my six stories in the Black Diamond Gothic Regency series has an animal that assists the main character. In The Baron’s Blunder, it was a parrot. In The Virtuous Viscount it was a dog. Lord Phillip’s Folly had a talking crow while Sir Michael’s Mayhem had a sneaky ferret. A kitten was helpful in Lord Harrow’s Heart and a lamb was vital to The Captain’s Conquest. It didn’t start out that way, as the pinapple thing didn’t for Psych, but it was fun as an author to include an animal that wasn’t just in the background but actually played role, some more major than others, in helping out the characters.

The requirement for this would be that you are writing a series. And it might not start out as an Easter egg, but you’d have to know this by book two. For instance putting in an animal made me have to think carefully about just what kind of animal and what role would it play to further the story along. Easter eggs can’t be a distraction, and they don’t need to take center stage either. Having an animal in a story is fine, but having it actually be a part of the plot is something else entirely, but if you’re up for it, it can be a sweet challenge.

An Easter egg can also be a character, place, object (like the pinapple or a pet). This can also be referred to as an allusion because the reader (or viewer) will understand what the author is referring to. Does the reader need to know there is an Easter egg to enjoy the story? No. And authors don’t tell their readers in advance that there are Easter eggs either.

This can happen within one story as well. In Sir Michael’s Mayhem there is a tree that they keep coming back to and in the end Michael sees a new tree and ties it all in with every other instance with the other tree. Easter egg. Intentional? Not necessarily, but it was fun when I realized it was there. Hopefully the reader did as well.

Marvel movies are another version of the Easter Egg phenomenon as  the creator of the series, Stan Lee would appear in some way shape or form in every episode before he passed away. Another one is that at the end of each movie, after the credits, is a fun scene of some sort, so don’t stop when the credits roll on any movie, because some have fun surprises for you, whether it is outtakes or something else. I believe there are other Easter eggs in there as well but these are the more obvious ones.

A series might refer to something from a previous book as well. That happens quite often but only those who have read the series in order will catch it.

Intentionally or not, Easter eggs are a literary feature that can be fun for the author to employ. Do you have any favorite Easter eggs in fiction (written or on the screen?)

For fun, can you find all the pineapples in these few scenes? I know I missed some!

 

Author Confessions: Use all the Senses

Reading Time: 4 minutes

Author Confessions: Use All the Senses

Another challenge for an author is to use all the senses in their storytelling, and if at all possible, do it without using the words see/saw, feel/felt, hear/heard, smelled, look/looked, taste, touch. Let’s take a simplified glimpse at ways to do that.

I’ll be referencing scenes from my book, Whitney’s Vow and see what we have for the senses:

Brides often entertained second thoughts on their wedding day, didn’t they?

Whitney Anderson’s sleeveless gown stuck to her back from the perspiration dribbling down. She was certain her deodorant had stopped working. The machine of a wedding day had taken over and she was a cog in its well-oiled gears. The backyard of her parents’ home basked in the sunshine as the temperature was a comfortable seventy-two degrees. So why was her body on fire?

 Her fingertips tingled and the small bouquet of daisies and roses pricked her palms. The aura of a migraine hovered around the recesses of her vision. She’d forgone her contacts and refused to wear glasses at her wedding. If she could only get through this day without passing out…Lord, please rescue me.

Sight: I could have written that everything was blurry, but instead I explained she had the aura of a migraine.

Smell: She might detect body odor as she wonders if her deodorant stopped working

 Touch: She touches the flowers and is pricked by the thorny roses. Persperation is dripping on her skin and her dress is sticking to her. She experiences heat even though the weather isn’t overaly warm

Birds chirped merrily in the tall trees, now in full leaf. An occasional trout flipped over the waterfall, tossed forth by the gush of water from the spring thaw. The men settled against the boulders, shaded by higher rocks and towering pines. The air was crisp, cool, and pure. Blake inhaled and grinned. 

Hearing:  He can hear the birds. He can hear the waterfall

Sight: The trees fully leafed out, trout flipping in the waterfall

Touch: Hard boulders, resting in the shade.

Smell: crisp, cool, pure air.

The mosquitoes started biting. The sun dropped lower in the sky, the trees casting long shadows on the path. Where were the men who were watching out for her? Every sound seemed suspicious, causing her heart to skip and race. Even the birds no longer sang. She sat and shivered.

Touch: She’s getting bit by mosquitos, it’s getting colder out.

Hearing: No birds singing. Any sound alarms her.

He headed to the bedroom suite. The bed was made up, and the room held the scent of lavender. He sat down and removed his boots. How could he sleep in this bed without Whitney beside him? It was one thing to do it overseas surrounded by smelly men on the hard ground or cots, but this haven screamed of his wife’s presence.

Smell: Lavender scent vs smelly men.

The quilt on the bed was made with scraps from their older clothes and reflected his penchant for black, blue, gray, and white mixed in with hers for pink, lavender, and a deeper purple with swatches of faded denim thrown in. He stood and dragged his hand over the quilt. She’d stitched it by hand as they’d talked in the evenings. Just patchwork squares but filled with memories. He touched one gingham fabric and remembered her wearing that blouse on their first date. Another was from a skirt she’d worn when he’d proposed. His patches were mostly solids and plaids. Did she have any specific memories tied to them as he did with hers?

Touch: He drags his hand over the quilt

Sight: Vivid description of the fabric squares and where they came from evokes memories.

Whitney was one big itchy mosquito bite. She couldn’t walk. She was rank with the odor of sweat and urine but at least they’d finally allowed her the privacy and space to relieve herself, untying her so she was able to maneuver her jeans for the task. She never saw her captor’s faces. The days were hot and her skin burned. Her hair was matted. Her scalp itched. 

Touch: Itchy. Burned skin. Matted hair. Itchy scalp

Smell:  Sweat and urine. Eww.

Sight: It’s what she didn’t see – her captors.

Whitney was only able to eat a few bites, but it was probably the best meal she’d ever had.

Taste: Well, at least she ate and it was good but that is really more telling than showing. See, even an author can find room for improvement in a story after it’s already been published.  I realized I really lacked in using more dynamic moments with food in my work, but maybe I don’t savor my own meals as much? It’s a thought anyway.

Real Life

Think about what happens when you walk into a room. Do you instantly register a scent? I’ll tell you if one of my dogs left me a nugget, I smell it before I enter the room. It is an odor I detest! Maybe a candle that is lit and burning. Much of our sense of smell is tied into taste and since we don’t eat all the time we won’t always have the sensation of taste in every scene. Not all senses need to be represented on every page, but hopefully enough that the reader will feel like they are experiencing everything the character is experiencing.

Consider that, smell, touch and taste cannot be experienced watching visual media (unless we’re talking physical art), but when a reader is experiencing the adventure of your character, they can connect to all the sensations that character is experiencing. Experiencing all the senses in our fiction can bring more realism to our readers, but we don’t want to overdue it either and take away from the story itself. It’s a balancing act but something I realize I need to grow in as well.